Voigtländer Super Wide Heliar 15mm/4.5 attached to Sony A7 (ILCE-7) via Novoflex NEX/LEM

In a recent article I described, why the E-mount of the Sony ILCE-7 is so interesting for people with legacy lenses and how to configure your Sony ILCE-7 to assist when taking pictures with these lenses. In another article I also described, how to get rid of the magenta cast in the corners when you are using ultra wide lenses on the cameras which incorporate the Sony E-mount.

And here is another example of a legacy ultra wide lens adapted to the E-mount.

Voigtländer Super Wide Heliar 15mm/4.5 attached to Sony A7 (ILCE-7) via Novoflex NEX/LEM
Voigtländer Super Wide Heliar 15mm/4.5 attached to Sony A7 (ILCE-7) via Novoflex NEX/LEM

Originally this lens was constructed for the M39 screw-mount of early Leica cameras. So you could either use an Novoflex NEX/LEI adapter or you use an M-Bayonet Adapter and the Novoflex NEX/LEM adapter. Depending on your other lenses one of this options should suit your needs. Personally I use the second option and I don’t have any problems while focusing.

If you’d like to read an intensive review of the lens then take a look at this page.

Voigtländer Ultra Wide Heliar 12mm/5.6 attached to Sony A7 (ILCE-7) via Novoflex NEX/LEM

The lens mount of the Sony NEX camera system is called E-mount. The E stands for Eighteen, as the flange focal distance of the Sony NEX camera series is exactly eighteen millimeters. Most interchangeable lens systems use a longer flange focal distance and therefore you can adapt nearly every available lens to the E-mount of the Sony NEX camera system.

In this case I used the NEX/LEM adapter from Novoflex to adapt an Voigtländer Ultra Wide Heliar 12mm/5.6 to a Sony A7 (ILCE-7). As this camera incorporates a full frame sensor this setup equals to a focal length of 12mm.

Voigtländer Ultra Wide Heliar 12mm/5.6 attached to Sony A7 (ILCE-7) via Novoflex NEX/LEM
Voigtländer Ultra Wide Heliar 12mm/5.6 attached to Sony A7 (ILCE-7) via Novoflex NEX/LEM

You must be aware that this combination only allows manual control. But the Sony A7 (ILCE-7) camera assists in the use of manual lenses if the camera is proper configured:

  1. Make sure you enable the shooting without a lens: Menu → Custom Settings (gear icon) → 3 → Release w/o Lens → Enable
  2. Set the Focus Magnification Time using Menu → Custom Settings (gear icon) → 1 → Focus Magnif. Time → No Limit
    You can choose between No Limit — 2 Sec — 5 Sec.
  3. Set the Peaking Level using Menu → Custom Settings (gear icon) → 2 → Peaking Level → Mid
    You can choose between Low — Mid — High.
  4. Set the Peaking Level using Menu → Custom Settings (gear icon) → 2 → Peaking Color → Yellow
    You can choose between Yellow — Red — White.

Switch your camera to A- Mode (aperture priority) and use the Focus Magnifier function to get a perfectly sharp picture even when shooting a fast lens wide open. The default configuration of the camera assigns the Focus Magnifier function to button C1 (Custom Button 1). You can reassign the function using Menu → Custom Settings (gear icon) → 6 → Custom Key Settings.

Comparing Sony LA-EA2 and Sony LA-EA4

Today I received my Sony adapter LA-EA4 and did a quick comparison with the older version LA-EA2. Both adapters add a translucent mirror to a NEX series camera and are built for the Alpha lens lineup. But the newer version LA-EA4 can also be used on the two new mirrorless full-frame sensor cameras with interchangeable lenses from Sony (the Sony A7r and Sony A7). The older version is only suitable for the Sony NEX series with APS-C sized sensors.

There is only a slight difference in weight (Sony LA-EA2 is 200g, the Sony LA-EA4 is 160g). Another difference is of course the size of the translucent mirror. The difference can easily be seen in the product shots. The speed of the autofocus seems to be the same (but I did no scientific test on that).

Both adapters work with the old “screwdriver” type autofocus lenses (Minolta 28-70/2.8 tested) and with the new SSM type autofocus lenses (Sony 70-200/2.8 tested). I did not test any SAM lenses. Both adapters work with my NEX-5 and also with the NEX-7.

With the NEX-5 I could only select a specific autofocus point with the old adapter. With the NEX-7 I could select a specific autofocus point with both adapters.

Sony LA-EA4 box
Sony LA-EA4 box
Sony LA-EA4 and casing
Sony LA-EA4 and casing
Sony LA-EA4 (left) and Sony LA-EA2 (right)
Sony LA-EA4 (left) and Sony LA-EA2 (right)
Sony LA-EA4 (left) and Sony LA-EA2 (right)
Sony LA-EA4 (left) and Sony LA-EA2 (right)
Sony LA-EA4 (left) and Sony LA-EA2 (right)
Sony LA-EA4 (left) and Sony LA-EA2 (right)
Sony LA-EA4 (left) and Sony LA-EA2 (right)
Sony LA-EA4 (left) and Sony LA-EA2 (right)

Cornerfix profiles for Leica Summicron-M 35mm/2 (Asph.) on Sony NEX-7

In a previous article I already described how to post-process images which were taken with ultra wide legacy lenses on a Sony NEX in order to eliminate the magenta cast in the corners. I use the free software cornerfix (which is available for Mac and PC).

In order to get the best results, you should create your own lens profiles. Therefore you can follow these instructions. I recommend a flat field reference file which is based on a picture through a matted glass panel.

But as you may not have such a glass panel at hands you can also download one of my profiles and give it a try.

If the profiles work for you, then please leave a comment or send a note.

I also created some profiles for the Voigtländer Ultra Wide Heliar 12mm/5.6 and the Voigtländer Super Wide Heliar 15mm/4.5 on the Sony NEX-5 and the Sony NEX-7.

Here is an example of an uncorrected shot with the Sony NEX-7 and the Leica Summicron 35mm/2 @ f7.1.

Uncorrected example image taken with NEX-7 and the Leica Summicron 35mm/2 @ f7.1.
Uncorrected example image taken with NEX-7 and the Leica Summicron 35mm/2 @ f7.1.

This is the same image but additionally corrected with cornerfix and this profile (5.6).

With cornerfix corrected example image taken with NEX-7 and the Leica Summicron 35mm/2 @ f7.1.
With cornerfix corrected example image taken with NEX-7 and the Leica Summicron 35mm/2 @ f7.1.

Geotag Icon Show on map

Five easy steps to publish a spherical panorama using Google Views

Preface

Some information on this post is outdated! Google Views has been migrated to Google Maps / Google Streeet View. Outdated information has been struck through.

Google added a nice feature to their set of web based applications recently. Publishing geo located spherical panoramas (aka Photo Spheres) on Views.

Once these panoramas are published they can also be embedded in other web sites. This article explains how you can achieve this.

Prerequisites:

  1. A Google+ account (Get one here).
  2. An equirectangular panorama (or a full 360° cylindrical panorama)

Step1: Create an equirectangular image

Use your favourite stitching software to create an equirectangular image. I usually use PTGui for this purpose. But there are plenty of other solutions available:

Step2: Add Photo Sphere meta data to your panorama

When dealing with Google a spherical panorama is called a Photo Sphere. But in fact this is only just an equirectangular image containing special meta data tags embedded in the file. You find the official Photo Sphere meta data documentation here. Starting with Android Version 4.2 (Jelly Bean) mobile phones can be used to create them directly. When you are working with the conventional workflow of a panoramic photographer you have to add this information into the image manually. There are several ways possible to achieve this, the methods are covered in a separate post.

Step 3: Upload your Photo Sphere to Maps

There are several options available:

One of the easiest ways is to search for a place in Maps. When the place is found there is a section with photos. A small icon should show which says: Add a photo. Just click it, upload a Photo Sphere and you’re done!

One even easier way is to use the Street View App on Android or iOS

The following steps are mostly outdated (old workflow with Views), and are only here for reference purposes

Step 3: Check your Google Plus default image settings

Important: Before you proceed to upload your images there are two settings you should check on your Google Plus settings:

Google+-Photo-Settings
Google+-Photo-Settings

I think the two most important settings you should check are:

  1. Upload my photos at full size to be checked ON. Otherwise your images are scaled down to a width of 2000 pixels.
  2. Auto-enhance should be switched OFF. Otherwise Google enhances the images automatically. This may be a good idea for crappy mobile phone images, but not for already perfectly created high quality equirectangulars!

Step 4: Publish your Photo Sphere to Maps Views

When your panorama has the required Photo Sphere meta information you can publish your panorama on Google Views. The first step to publish your panorama on Google Views is to upload it to your Google account. You do this using your Google Plus photos section

Google+ -Uploading Images
Google+ -Uploading Images

After the uploading process has finished you can control whether your image hsa been recognized as a Photo Sphere. This is the case when the Photo Sphere Symbl is shown on the image. This could look something like this:

Google Photo Sphere Icon
Google Photo Sphere Icon

When you don’t see the icon in the middle of your image something went wrong!

When you see the icon you can proceed to publish your panorama on Google Views. Open the homepage and search the little blue camera icon on the upper right corner LittleBlueCamera. Press it and you will be able to select one of your Photo Spheres uploaded to Google Plus. After confirming the selection the panorama will be added to your gallery. However it may take some time for it to show up. The panorma will also be published on Google Maps – after a review process

Step 5: Share or embed the finished panorama

For the final step you open the newly uploaded panorama on your Views gallery. On the bottom left corner you see an area containing a small map of the location of the panorama. Search for the share icon Share Symbol and press it. You’ll see a small window from which you can copy the required HTML iframe – code to embed the panorama on a web page.

Additional links

https://plus.google.com/117971837164857644538/posts/FDipsC8XeFQ
http://exsight360.com/blog/how-to-upload-non-android-360-panoramas-to-google-maps/

How to add mandatory Photo Sphere meta data to an equirectangular image


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Preface

Some information on this post is outdated! Google Views has been migrated to Google Maps / Google Street View. Outdated information has been struck through.

Google added a new feature to their set of web based applications recently. Publishing geo located spherical panoramas (aka Photo Spheres) on Views.

In another article, Markus already described the complete workflow which is needed to publish a panoramic image on Views and embed it into your website.

In this article I will describe several methods of writing and displaying the mandatory meta data which is used by a photo sphere.

The methods are

  1. Using the website http://street-sphere.appspot.com/
  2. Using ExifToolGUI, ExifTool and a special workspace definition file (Windows only, read and write)
  3. Using a batch file and ExifTool (command-line only, droplet for Windows available, read and write)
  4. Using a custom metadata panel within Photoshop (tested with PS C6, PS CC, read and write)
  5. ExifMetaLrPlugin for Lightroom (tested with Lr 4, read)

As a prerequisite we assume that you already have geotagged your images. It is important to note, that you need at least latitude, longitude and the heading in the final image. For example you can do this with Geosetter on Windows, or with ExifTool.

1. Using the website

Google set up the website http://street-sphere.appspot.com, where you can upload a JPG image and populate the required metadata. Unfortunately you have to be online and you have to up- and download the files. And not every filetype is supported. Otherwise it works fine, you just have to follow the instructions on the website.

2. ExifToolGUI and the GPano workspace

As ExifToolGUI is only available for Windows, you can skip to the other solutions if you run a different operating system on your machine.

First install the latest version of ExifTool by Phil Harvey. Be sure to get the stand-alone Windows executable, extract it to a path of your choice and rename it to

exiftool.exe

and copy it to a location which is already part of your search path.

Then install the latest version of ExifToolGUI as described on the homepage in section “2. ExifToolGUI” at the top of the page.

Save the following lines to a path of your choice with the filename

GPano.ini
[WorkspaceTags]
EXIF=-GUI-SEP
Image Width=-ImageWidth^[8000] Don't change unless you know, what you do!
Image Height=-ImageHeight^[4000] Don't change unless you know, what you do!
EXIF GPS=-GUI-SEP
GPS Latitude=-GPS:GPSLatitude^No Hint defined
GPS Longitude=-GPS:GPSLongitude^No Hint defined
Heading (EXIF)=-GPS:GPSImgDirection^[120.15] Direction in ° from [0] to [359.99]
GPano=-GUI-SEP
StitchingSoftware=-XMP-GPano:StitchingSoftware^[PTGui Pro 9.1.8]
ProjectionType=-XMP-GPano:ProjectionType^only [equirectangular] is currently supported by Google products
UsePanoramaViewer=-XMP-GPano:UsePanoramaViewer^[TRUE] if image should show as photosphere
Heading (Pano)=-XMP-GPano:PoseHeadingDegrees^[135] direction in the middle of the image in degrees. N=0, E=90, S=180, W=270
CroppedWidth=-XMP-GPano:CroppedAreaImageWidthPixels^[8000] for full spheres the same as FullPanoWidth
CroppedHeight=-XMP-GPano:CroppedAreaImageHeightPixels^[4000] for full spheres the same as FullPanoHeight
FullPanoWidth=-XMP-GPano:FullPanoWidthPixels^[8000] width of image canvas
FullPanoHeight=-XMP-GPano:FullPanoHeightPixels^[4000] heigth of image canvas
CroppedLeft=-XMP-GPano:CroppedAreaLeftPixels^[0] within full sphere
CroppedTop=-XMP-GPano:CroppedAreaTopPixels^[0] within full sphere

Open the file with ExifToolGUI (Menu>Program>Workspace definition file>Load…). Open the Metadata panel and open the Workspace. You should see the following workspace:
JMatern_130914_ExifToolGui_1

As reference the next screenshot shows an already populated photo sphere:
JMatern_130914_ExifToolGui_2

3. ExifTool via command-line

First install the latest version of ExifTool by Phil Harvey for your operating system.

Start exiftool from the command-line with the following parameters:

-ProjectionType="equirectangular" -UsePanoramaViewer="True" -"PoseHeadingDegrees<$exif:GPSImgDirection" -"CroppedAreaImageWidthPixels<$ImageWidth" -"CroppedAreaImageHeightPixels<$ImageHeight" -"FullPanoWidthPixels<$ImageWidth" -"FullPanoHeightPixels<$ImageHeight" -CroppedAreaLeftPixels="0" -CroppedAreaTopPixels="0"

Of course you also have to add a filename. If you supply the filename of a panoramic image in equirectangular format, which covers the full sphere, you get a photo sphere with the same name of the original image.

If you create a batch file on the desktop of a Windows machine with the following content:

FOR %%A IN (%*) DO (
"C:\Program Files (x86)\Geo\GeoSetter\tools\exiftool.exe" -ProjectionType="equirectangular" -UsePanoramaViewer="True" -"PoseHeadingDegrees&lt;$exif:GPSImgDirection" -"CroppedAreaImageWidthPixels&lt;$ImageWidth" -"CroppedAreaImageHeightPixels&lt;$ImageHeight" -"FullPanoWidthPixels&lt;$ImageWidth" -"FullPanoHeightPixels&lt;$ImageHeight" -CroppedAreaLeftPixels="0" -CroppedAreaTopPixels="0" %%A
)
PAUSE

Then you have a droplet on which you can drop an equirectangular panoramic image which covers the full sphere and it gets populated with the required fields to be accepted as a photo sphere. If your image supplies the GPS-heading it’s also compliant with the requirements of Google-Maps.

4. Metadata panel and Photoshop

First you have to check the documentation of Adobes Custom File Info Panel to identify the proper location for the File Panels. On a Windows system running PS CC the files are located in

C:\Users\[Username]\AppData\Roaming\Adobe\XMP\Custom File Info Panels\4.0\panels

Create a directory named

photosphere

Create a file named

properties.xml

with the following content:

<!--?xml version="1.0" encoding="UTF-8"?-->
<!--
Copyright 2013 by Jürgen Matern (/author/juergen/)
 
This file is licensed under the Creative Commons Attribution ShareAlike 3.0
License (http://creativecommons.org/licenses/by-sa/3.0/).
 
In short: you are free to share and make derivative works of the file under
the conditions that you appropriately attribute it and that you distribute
it only under a license identical to this one.
 
Photosphere File Info Panel (properties.xml)
 
This panel implements the specific XMP fields of Photospheres.
Additionally it displays additional fields of the image as read only fields.
-->
 
<xmp_definitions xmlns:ui="http://ns.adobe.com/xmp/fileinfo/ui/">
 
	<xmp_schema prefix="GPano" namespace="http://ns.google.com/photos/1.0/panorama/" label="$/Custom/GPano/Photosphere=Photosphere" description="$/Custom/GPano/Description/Photosphere=This schema displays the required properties for photospheres.">
		<xmp_property name="StitchingSoftware" category="external" label="$/Custom/GPano/StitchingSoftware=Stitching Software:" type="openchoice" ui:width="20%">
			<xmp_choice raw_value="PTGui Pro 9.1.8" label="PTGui Pro 9.1.8">
			<xmp_choice raw_value="PTGui 9.1.8" label="PTGui 9.1.8">
			<xmp_choice raw_value="Hugin" label="Hugin">
		</xmp_choice></xmp_choice></xmp_choice></xmp_property>
		<xmp_property name="ProjectionType" category="external" label="$/Custom/GPano/ProjectionType=Pano Projection:" description="$/Custom/GPano/Description/ProjectionType=Currently Google applications only support equirectangular projection." type="closedchoice" ui:width="20%">
			<xmp_choice raw_value="equirectangular" label="$/Custom/GPano/equirectangular=equirectangular">
			<xmp_choice raw_value="" label="$/Custom/GPano/none=none specified">
		</xmp_choice></xmp_choice></xmp_property>
		<xmp_property name="UsePanoramaViewer" category="external" label="$/Custom/GPano/UsePanoramaViewer=Use Panorama Viewer:" type="boolean">
		<xmp_property name="PoseHeadingDegrees" category="external" label="$/Custom/GPano/PoseHeadingDegrees=Heading (at center of image):" description="$/Custom/GPano/Description/PoseHeadingDegrees=This field is only mandatory for Google Maps." type="real" ui:width="15%">
		<xmp_property name="CroppedAreaImageWidthPixels" category="external" label="$/Custom/GPano/CroppedAreaImageWidthPixels=Cropped Area Image Width:" type="integer" ui:format="{0} pixel" ui:width="15%">
		<xmp_property name="CroppedAreaImageHeightPixels" category="external" label="$/Custom/GPano/CroppedAreaImageHeightPixels=Cropped Image Heigth:" type="integer" ui:format="{0} pixel" ui:width="15%">
		<xmp_property name="FullPanoWidthPixels" category="external" label="$/Custom/GPano/FullPanoWidthPixels=Full Pano Width:" type="integer" ui:format="{0} pixel" ui:width="15%">
		<xmp_property name="FullPanoHeightPixels" category="external" label="$/Custom/GPano/FullPanoHeightPixels=Full Pano Heigth:" type="integer" ui:format="{0} pixel" ui:width="15%">
		<xmp_property name="CroppedAreaLeftPixels" category="external" label="$/Custom/GPano/CroppedAreaLeftPixels=Cropped Pixels Left:" type="integer" ui:format="{0} pixel" ui:width="15%">
		<xmp_property name="CroppedAreaTopPixels" category="external" label="$/Custom/GPano/CroppedAreaTopPixels=Cropped Pixels Top:" type="integer" ui:format="{0} pixel" ui:width="15%">
	</xmp_property></xmp_property></xmp_property></xmp_property></xmp_property></xmp_property></xmp_property></xmp_property></xmp_schema>
	<xmp_schema prefix="exif" namespace="http://ns.adobe.com/exif/1.0/" label="$/Custom/EXIF/Fieldname/ImageDimensions=Image Dimensions" description="$/Custom/EXIF/Description/IMageDimensions=This schema displays the image dimensions from the EXIF header.">
		<xmp_property name="PixelXDimension" category="internal" label="$/Custom/EXIF/Fieldname/PixelXDimension=Image Width:" type="integer" ui:format="{0} pixel">
		<xmp_property name="PixelYDimension" category="internal" label="$/Custom/EXIF/Fieldname/PixelYDimension=Image Height:" type="integer" ui:format="{0} pixel">
		<ui:separator>
	</ui:separator></xmp_property></xmp_property></xmp_schema>
	<xmp_schema prefix="exif" namespace="http://ns.adobe.com/exif/1.0/" label="$/Custom/EXIF/Fieldname/GPSCoordinates=GPS coordinates" description="$/Custom/EXIF/Description/GPSCoordinates=This schema displays the GPS coordinates from the EXIF header.">
		<xmp_property name="GPSLongitude" category="internal" label="$/Custom/EXIF/Fieldname/GPSLongitude=GPS longitude (camera):" type="text">
		<xmp_property name="GPSLatitude" category="internal" label="$/Custom/EXIF/Fieldname/GPSLatitude=GPS latitude (camera):" type="text">
		<xmp_property name="GPSAltitude" category="internal" label="$/Custom/EXIF/Fieldname/GPSAltitude=GPS altitude (camera):" type="text">
		<xmp_property name="GPSImgDirection" category="internal" label="$/Custom/EXIF/Fieldname/GPSImgDirection=GPS image direction:" type="real">
		<xmp_property name="GPSDestLongitude" category="internal" label="$/Custom/EXIF/Fieldname/GPSDestLongitude=GPS longitude (motif):" type="text">
		<xmp_property name="GPSDestLatitude" category="internal" label="$/Custom/EXIF/Fieldname/GPSDestLatitude=GPS latitude (motif):" type="text">
	</xmp_property></xmp_property></xmp_property></xmp_property></xmp_property></xmp_property></xmp_schema>
 
</xmp_definitions>

Create a second file named

manifest.xml

with the following content:

<!--
Copyright 2013 by Jürgen Matern (/author/juergen/)
 
This file is licensed under the Creative Commons Attribution ShareAlike 3.0
License (http://creativecommons.org/licenses/by-sa/3.0/).
 
In short: you are free to share and make derivative works of the file under
the conditions that you appropriately attribute it and that you distribute
it only under a license identical to this one.
 
Photosphere File Info Panel (manifest.xml)
-->
 
<xfi:fileinfo xmlns:xfi="http://ns.adobe.com/xmp/fileinfo/">
	<xfi:panels>
		<xfi:panel name="Photosphere" label="Photosphere" description="Properties for Photospheres" type="generic" version="1.0.5" panellibrary="generic" panelclass="examples.panels.generic.GenericPanel" propertydescriptionfile="properties.xml" localizationfile="Photosphere" modifydate="2013-08-25Z" visible="true">
		</xfi:panel>
	</xfi:panels>
</xfi:fileinfo>

Then open the file info dialog of Photoshop. When all the metadata is missing, the new dialog looks like this:
Custom file info panel within Photoshop CC, unpopulated
And the following screenshot shows the dialog, when the metadata fields are already populated.
Custom file info panel within Photoshop CC, populated

5. ExifMetaLrPlugin for Lightroom

First install the latest version of ExifTool by Phil Harvey for your operating system. Then install the latest version of ExifMetaLrPlugin. Configure the plugin to display the metadata. Unfortunately this solution is read only at the time of the writing of the article.

Cornerfix profiles for ultra wide Voigtlaender lenses on Sony NEX-5 and NEX-7

In a previous article I already described how to post-process images which were taken with ultra wide legacy lenses on a Sony NEX in order to eliminate the magenta cast in the corners. I use the free software cornerfix (which is available for Mac and PC).

In order to get the best results, you should create your own lens profiles. Therefore you can follow these instructions. I recommend a flat field reference file which is based on a picture through a matted glass panel.

But as you may not have such a glass panel at hands you can also download one of my profiles and give it a try.

If the profiles work for you, then please leave a comment or send a note.

Tilt experiments with Kipon Tilt adapter for Nikon lenses on Sony NEX cameras

Kipon manufactures an adapter which enables you to mount any lens with a Nikon F-mount to your Sony NEX camera. Additionally the adapter can be tilted in any direction. Tilting in this context means, that the lens is pivoted out of the optical axis of the lens.

The two following images illustrate this concept. In the first image the lens was tilted to the right (from the photographers point of view). In the second image the lens was tilted to the left (from the photographers point of view).

Nikon Nikkor 20mm/2.8 AI-s on Sony NEX-7 (tilted right)
Nikon Nikkor 20mm/2.8 AI-s on Sony NEX-7 (tilted right)
Nikon Nikkor 20mm/2.8 AI-s on Sony NEX-7 (tilted left)
Nikon Nikkor 20mm/2.8 AI-s on Sony NEX-7 (tilted left)

You can use a tilted lens to orient the plane of focus of your optical system in special ways. Normally you use a tilting lens so that the plane of focus is oriented in a way which maximizes the visually sharp areas of your image. Theodor Scheimpflug was the first person who described these facts and therefore the priciple is called the Scheimpflug principle.

But in the following example I tilted the lens in order to orient the plane of focus in a way which minimized the sharp areas of the image. As this looks nearly identical to a very shallow depth of field, the observer mostly gets the impression, that he is only looking on a photographed mock-up of a landscape rather than a real landscape.

Tilt experiment with Kipon NIK-NEX adapter and Nikon Nikkor 20mm/2.8 AI-s on Sony NEX-5
Tilt experiment with Kipon NIK-NEX adapter and Nikon Nikkor 20mm/2.8 AI-s on Sony NEX-5

In order to get this image, the lens was tilted and the camera was pointed down. Back at home, the vertical lines of the buildings were brought back to vertical alignment. In other words I tilted in the real world and shifted in the digital world…

Wireless remote control and panorama setup for Sony NEX-7

Markus already wrote two articles about controlling the NEX-5 with a wireless remote control. The first article presented the code and the schematics. In the second article he wrote about the final ‘product’, a boxed version of his Arduino.

Inspired by his design I tried to reduce the size. Therefore I didn’t implement the infrared receiver part and I also used a Arduino Nano instead of a regular Arduino. And I also used a smaller radio receiver. I finally had these components.

Radio transmitter, opened controller-box, trigger
Radio transmitter, opened controller-box, trigger
Radio transmitter, opened controller-box, trigger
Radio transmitter, opened controller-box, trigger

The next image shows a detailed view of the guts inside the box. With all the connecting cables and the two circuit boards there is not much space left.

Arduino Nano, radio receiver, cables
Arduino Nano, radio receiver, cables

The next images are showing the final setup. The trigger is attached to the camera. The controler box is connected to the trigger. The radio transmitter is ready to fire.

Sony NEX-7 with attached trigger, controller box, radio transmitter
Sony NEX-7 with attached trigger, controller box, radio transmitter
Sony NEX-7 with attached trigger, controller box, radio transmitter
Sony NEX-7 with attached trigger, controller box, radio transmitter

The following image shows a detail of the mounted trigger on the Sony NEX-7. I used some florist wire to attach the circuit board to the connector of the hand strap. On the other side the circuit board is glued to an hotshoe adapter which connects to the hotshoe of the camera.

Sony NEX-7 with attached trigger (detail)
Sony NEX-7 with attached trigger (detail)

And finally some images of the complete panorama setup, including a custom made lens bracket (in fact it’s a simple pipe clamp from the hardware store), a Novoflex Alpha- to E-Mount adapter and a Sigma 8mm/4.0 fisheye. For panoramic photography this setup is used on top of a double-monopod construction.

The weigtht of the shown setup is 1145 g (2 lb 8 oz). My old setup (Sony Alpha 900 with shaved Sigma 10mm/2.8) has 1710 g (3 lb 12 oz). In both cases this includes camera, lens, adapter, bracket, trigger, controller box, batteries and memory card.

Both setups delivers equirectangulars with the same size (10.000 x 5.000) and with both setups I shoot 4 around and mostly no up and no down shot.

Complete setup (back view)
Complete setup (back view)
Complete setup (right view)
Complete setup (right view)
Complete setup (front view)
Complete setup (front view)
Complete setup (left view, wake up)
Complete setup (left view, wake up)
Complete setup (left view, trigger)
Complete setup (left view, trigger)

And here is the new setup in action.

Shooting a horizontal pole panorama
Shooting a horizontal pole panorama

Click here to view some panoramic images which were taken with this setup.

Unpacking a Sony Cyber-shot DSC-RX100

The PanoTwins camera family got a new offspring: The Sony Cyber-shot DSC-RX100. I did not expect the camera to be available before August. However several posts on different blogs talked about the availability of the camera. So I visited the home page of my local camera dealer – not expecting the sign: In stock. I headed for the store immediately, because I wanted to see it for real. I bought the camera 5 Minutes after talking it the first time into my hand. And now I can show you some unpacking images:

On the side of the box you can read about the sensor size: 1.0 type (13.2mmx8,8mm) CMOS Sensor 20.2 Mega pixels. I did not find the sensor informaion on the box of the Sony Alpha 77 😉

Sony Cyber-shot DSC-RX100 Box
Sony Cyber-shot DSC-RX100 Box

After opening the box you find a second box containig a multilingual (15 languages: GB, FR, IT, ES, PT, DE, NL, PL, CZ, HU, SK, SE, FI, NO and DK) “Digital Still Camera / Instruction Manual”. Each language has roughly about 33 pages in the manual. No CD is included, but a leaflet stating: “PC software is in the camera. See instruction Manual or User Guide for details.”

Sony Cyber-shot DSC-RX100 Box Open
Sony Cyber-shot DSC-RX100 Box Open

After removing the second box the camera is revealed.

Sony Cyber-shot DSC-RX100 Box Open Camera
Sony Cyber-shot DSC-RX100 Box Open Camera

The camera has several protecting covers and a small identification plate attached to it. This is the view from the front with the lens still closed.

Sony Cyber-shot DSC-RX100
Sony Cyber-shot DSC-RX100

Top view of the camera.

Sony Cyber-shot DSC-RX100 Top
Sony Cyber-shot DSC-RX100 Top

First time with extended lens, that spans a 35mm equivalent range of 28-100mm with F1.8-4.9.

Sony Cyber-shot DSC-RX100 Lens Extended
Sony Cyber-shot DSC-RX100 Lens Extended

After removing the camera tray you find the accessories on the bottom of the box.

Sony Cyber-shot DSC-RX100 Box Accessories
Sony Cyber-shot DSC-RX100 Box Accessories

The accessories include a rechargeable battery, that has to be loaded inside the camera by connecting a supplied USB cable. The included transformer has an USB connector that fits this cable. Furthermore you find three straps, that can be attached to the camera. However the shoulder strap is an optional accessory and is not included! You’ll only find a wrist strap and two short straps for attaching a shoulder strap.

Sony Cyber-shot DSC-RX100 Accessories
Sony Cyber-shot DSC-RX100 Accessories

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