Author: PanoTwin Jürgen

Today I did some tests with the two lens adapters Sony LA-EA2 and Sony LA-EA4, which can be used to adapt a lens with a Sony A-mount to a camera with an Sony E-mount. In another article I already compared looks and weigth of the two adapters. In this article I focus on the different image crops when you use the two adapters on a full frame camera with E-mount. I used a Sony ILCE-7 for my tests. On a Sony ILCE-7r the crops are the same, but you get a higher pixel count.

I only tested the Sony 70-200/2.8 (SAL70200G) at 200mm. I used the lens collar of the lens to attach it to a tripod. The lens, the tripod and the subject were not moved after that.

The first image shows the result when using the LA-EA4. The resulting image is the full resolution of the sensor.

For the second image I only exchanged the LA-EA4 with the older LA-EA2. For this image I used the following configuration of the camera: Menu → Custom Settings (gear icon) → 5 → APS-C Size Capture → Off. You can clearly see the shading of the LA-EA2 on the sensor. The maximum manual crop is marked with the green rectangle.

For the next image I only changed one setting in the camera: Menu → Custom Settings (gear icon) → 5 → APS-C Size Capture → On. The resulting image showed an even larger crop than the second image but no shading of the adapter. In postprocessing I superpositioned the two images to be able to mark the camera crop in the second image. This is the result.

In the last image I used the first taken picture and marked the three different crops. The red marker is the LA-EA4, the green marker is the LA-EA2 with maximum manual crop and the blue marker is LA-EA2 with cropping enabled in camera.

The maximum manual crop (which is equivalent to the unshaded area of the sensor) will differ when you use a different lens. And it also differs with different focal lengths of a zoom lens. But this needs some more testing.

The Samyang 8mm/2.8 UMC II fisheye lens is available for several camera mounts (Canon M, Fujifilm X, Samsung NX and Sony E). It is designed as a full frame fisheye which covers 180° from corner to corner on these aforementioned mounts with their respective sensor sizes. But since the introduction of the Sony cameras with E-mount and full frame sensor there is an interesting new option for panoramic photographers.

In all the featured examples of this post I just took a picture of a white piece of paper bended around the lens which I converted to a black and white image afterwards.

If you mount the lens in its original state on a Sony ILCE-7 (or ILCE-7r) then you get an image which looks something like this.

You can clearly see, that the lens hood shades a good part of the image. Which is of course a bad thing if we want to shoot a spherical with this lens.

In the next example I therefore used a side cutter to remove the plastic lens hood on the longer side of the sensor.

And in the final example I removed as much of the lens hood as I could. This is the final resulting image.

In this state the lens covers approximately 190° on the long side of the sensor. With three or four images easily covering the full sphere the final equirectangular is 10000 pixels by 5000 pixels in size on a Sony ILCE-7.

You can already find a daylight, blue hour and indoor example from Markus which were all shot with a shaved version of the lens and a Sony ILCE-7.

Additional remark

The shown images were produced with an Samyang 8mm/2.8 UMC II fisheye lens on a SONY ILCE camera with a full frame sensor. You can gat a nearly identical result if you use the Samyang 7mm/3.5 UMC fisheye lens with a SONY ILCE camera with APS-C sized sensor and an micro 4/3 to E-mount adapter.